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A term · 4 claims · lectures 4, 9, 10, 16

Sublation

aufheben (verb) / Aufhebung (noun)

To negate and preserve at once, lifting something to a higher level; loosely rendered as "sublate," "supersede," or "overcome."

The 4 claims that turn on it

In lecture order, as Marci Shore presents each view. The time opens that minute of the lecture on YouTube.

Lecture 4Hegel and the Historicist Chronotope

Aufheben, Hegel's untranslatable verb for how one stage gives way to the next, means canceling something while also keeping it and raising it onto a higher plane.

Put simply Hegel's German verb "aufheben" has no English equivalent. It describes how one stage gives way to the next: the old is canceled, but also kept, and lifted to a higher level.

Lecture 9Freudian Psychoanalysis

ZamyatinL9 · 8:25

A line in Zamyatin's dystopia We runs "We comes from God, I comes from the devil": the I is to be overcome and swallowed by the collective.

Lecture 10Modernism and the Avant-Garde

ShoreL10 · 3:21Core idea

On Shore's admittedly simplified schema, modernism answers modernity's uncertainty in two waves: a Freudian plunge into the self, then an avant-garde that vaults past it, almost a Hegelian Aufheben.

Put simply Shore, simplifying on purpose: modern art answered the age's uncertainty in two waves. First a Freud-like dive into the inner self, then an avant-garde leap past the self, almost a Hegelian "Aufheben": overcoming something while carrying it forward.

Lecture 16The Second Sex

For Kojève, being human means negating the given, in Hegel's sense of overcoming: its concrete features still mark us, but we are no longer its captives.

Put simply Kojève: to be human is to "negate" what is given to us, in Hegel's sense of overcoming it. Its concrete features still mark us, but we are no longer trapped by them.

Related terms

Terms that appear in the same claims.

Dialektik
dialecticHistory advances through clashing contradictions: an unstable position is negated by its opposite and carried forward to a new, higher stage.
the new man / engineers of human soulsThe Bolshevik project of re-engineering people so subjectivity is perfectly identified with History; writers and intellectuals serve as "engineers of human souls."
modernity, modernization, modernismThree distinct terms: modernity names an era (dated from 1789), modernization its concrete technical/social changes, modernism the aesthetic response.
first-wave modernism (inward turn)Roughly 1890 to WWI: art turns inward to a radically subjective, unstable self; alienation, despair, apocalypse, Freud as guru.
avant-garde / second-wave (high) modernismThe flight from subjectivity, around and after the First World War, into radical formal and temporal experiment: freed words, cult of youth, art as creation, internationalism.
le donné / négation du donné
negation of the given (négation du donné)Kojève's idea that being human means overcoming and transforming what is given while still bearing its traces.