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A term · 6 claims · lectures 19

Structural analysis of myth

Reading myths as variations on limited themes governed by an underlying grammar, comparable to language, that classifies experience and eases social contradictions.

The 6 claims that turn on it

In lecture order, as Marci Shore presents each view. The time opens that minute of the lecture on YouTube.

Lecture 19Structuralism and Anthropology

Across human cultures, including oral and indigenous ones without large written literatures, myths rework a limited stock of themes and share constant structures that operate like a language.

Put simply Lévi-Strauss: across human cultures, including those that pass stories on by word of mouth, myths rework a limited set of themes. They share constant patterns that work like a language.

Myth has a grammar: its smallest units combine by rules analogous to those of language, and that grammar is built into the human mind itself.

Put simply Lévi-Strauss: myths have a grammar. Their smallest parts combine by rules, as sounds combine into words, and that grammar is built into the human mind.

Myths are instruments by which a culture sorts and orders its reality.

Put simply Lévi-Strauss: myths are tools a culture uses to sort and organize its world.

A myth works as an imaginary resolution of a contradiction that is real in social life.

Put simply Lévi-Strauss: a myth settles, in imagination, a conflict that is real in a society's life.

In the text The phrase "imaginary resolution of a real contradiction" is Fredric Jameson's (The Political Unconscious, 1981, ch. 1), developed from Lévi-Strauss's reading of Caduveo face painting in Tristes Tropiques.

The crisis that opens many myths is one of too little difference, not too much: boundaries blur, distinctions collapse.

Put simply Lévi-Strauss: many myths open with a crisis of too little difference, not too much. The lines that keep things distinct blur and break down.

In the text In "The Structural Study of Myth" (1955), Lévi-Strauss writes that "mythical thought always progresses from the awareness of oppositions toward their resolution"; "a crisis of distinctions" is Girard's phrase in Violence and the Sacred.

Lévi-Strauss is captivated by man in the abstract while caring little for actual, particular men.

Put simply Geertz's criticism: Lévi-Strauss is fascinated by humanity in general but cares little for actual, individual people.

Related terms

Terms that appear in the same claims.

binary oppositionPaired contrasting terms (raw/cooked, hot/cold, high/low) through which classical structuralism maps cultural meaning by difference.
decentering of the subject (structuralist anti-humanism)The individual human subject is not the origin or holder-together of meaning; structures and language are primary, and subjects are produced by them.